I was told yesterday an amusing anecdote
relating to Robert Runcie, the last-but-three Archbishop of Canterbury. Following a Lenten service somewhere or
other, he asked people in the congregation what they had given up for
Lent. He was met in the main with
predictable responses about alcohol and chocolate. One man, however, said he couldn’t reveal
what he had given up. “You needn’t be
shy”, said Archbishop Robert, kindly, “I’m a priest.” “Well”, said the man, hesitantly, “to be
candid, I’ve given up masturbation.”
Runcie paused momentarily, then smiled.
“In which case”, he replied, “Easter is going to be fun!”
But my favourite quote is this (which I
heard him say in a TV interview): “We preach Christ crucified: a stumbling block to the
Jews, foolishness to the Greeks, and a source of perpetual embarrassment to the
English.” Perhaps the reason I remember
this adaptation of St Paul’s words to the Church in Corinth (1 Cor 1:23) is that
it captures something of how the English relate to the Gospel, and their supposed
tendency to suppress its less comfortable aspects.
I am reminded of this in the context of
David Cameron’s speech at the Downing Street Easter reception, in which he
revealed something of his own relationship with Christianity. This has caused some to sneer, partly because
they read in his words a crude attempt to curry electoral favour with
Christians (which frankly strikes me as rather improbable); but mainly because
of their slightly anodyne character. He
speaks warmly about the Church’s social and pastoral work; he praises its
priests and its schools, and he reveals something of his own (rather
infrequent) religious practice. He does
not mention Christ’s agony on the cross and its meaning. Not once.
His critics were quickly out of the blocks. In the red corner, no less a personage than
the Reverend Giles Fraser; and in the blue, Tim Stanley, Telegraph journalist
and blogger. Their contributions make
some important points and are worth reading.
Their gist is that Christianity isn’t just about being nice or “moral”,
about helping people, about warm words.
It’s about something horribly raw, something life-changing, something
overwhelmingly, beautifully true. Of
course I agree with them, and am myself impatient of the prissy bloodlessness
that sometimes sanitises worship and dilutes witness in the interests of good
taste. True Christian faith has dark as
well as light, fast as well as feast, sorrow as well as joy – all of which must
be faced and entered into by those who would follow Jesus.
And yet I suspect there are many for whom
Cameron’s words will have struck a chord.
Many who have an associational rather than participative relationship
with the Church - who are not opposed to it, who in fact are quite supportive
of it, but who are nervous of its perceived certainties, silly internal
arguments and what Cameron calls (in a subsequent Church Times article) “doctrinal purity”. These
are they who are grateful for the Church’s presence in times of grief and joy,
for its benevolent presence in the community, and for the peace to be found,
when necessary, in Larkin’s “serious house on serious earth”. I can see that these might well find the
meaning of the Cross difficult to grasp.
It is quite a journey.
Five years ago this month, I was present in
St Paul’s cathedral when the Bishop of London hosted a panel discussion in the
“margins” of the G20 conference. On the
panel were Gordon Brown (then PM of course) and Kevin Rudd, at that time PM of
Australia. Someone asked Mr Rudd to say
something about his own faith.
Describing himself as a “common or garden Christian”, he gave a simple
yet eloquent account of the way in which the Gospel informed his own life and
work. When Gordon Brown was asked the same
question, he pointedly (and characteristically) avoided it, but referred
approvingly to the so-called Golden Rule (do unto others as you would have them
do unto you). This is, of course, not a
uniquely Christian precept; but it was the nearest he could get to an
expression of personal belief. I do not
believe this was because he had bought into his predecessor’s idea of religion
being toxic in a political context. I
wondered, rather, if he had no conventional religious faith, or one that was
weak and variable - but was just too hideously embarrassed to say anything that
might reveal this.
No doubt full-on, full-blooded Christians
will continue to look down on David Cameron’s “religion-lite” (G Fraser). And, as unrealistic as it may be, I would
rather he had said something solid about Jesus and about his own discipleship. I would rather he went to church more often. But he has broken a taboo. The British Prime Minister has said something
highly positive about religion, Christianity, the Church of England and his
relationship to them. He has done so
publicly and without embarrassment. We
do seem to have moved on.
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ReplyDelete"He does not mention Christ’s agony on the cross and its meaning." I'm commenting very belatedly, but the issue is an ongoing one and has become even more noticeable since this post was written. We constantly hear variations on a prosperity gospel or a therapeutic gospel, but the agony of Christ on the cross is something no one wants to speak of. I wonder if this is not because of a failure of imagination in the postmodern world. We see it in literature and film, and I see it in those who have consumed lots of mass "culture". Ability to empathise, which springs from an active imagination, is a path into the story of Christ, and our imaginations seem to have withered. I think C. S. Lewis, in his Narnia tales, was addressing this loss of imagination, leading the reader to understand Christ's story by changing the external trappings so as to draw us in, but keeping the essence of the story unchanged. As a child, I wept over the cruel death of the great lion, Aslan, but did not have the same feeling about the crucifixion of Christ; it was not real to me at the time because my imagination hadn't found a door through which to enter into the story.Earlier Christians didn’t seem to have this problem. How can we tell the story in a way that doesn’t alter it but that catches the imagination of postmodern people?
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